The Smiths’ fourth and final studio album has made it to 35, no less the worse for wear, but no better.
Read moreDepeche Mode’s ‘Music For The Masses’ Turns 35 | Album Anniversary
A rich, multilayered mix of sex, drugs, isolation, obsession, gloom and contemplation, ‘Music For The Masses’ found the band creating new musical vistas.
Read moreBruce Springsteen’s ‘Magic’ Turns 15 | Album Anniversary
The question “is there anybody alive out there?” is meant to be genuine, and you’re supposed to respond. Now, fifteen years later, ‘Magic’ is a clear portrait of what happens if we don’t.
Read moreBilly Joel’s ‘The Stranger’ Turns 45 | Album Anniversary
‘The Stranger’ makes us look in the mirror and examine all the nooks and crannies that the light might not touch.
Read moreThe Rolling Stones’ ‘Bridges to Babylon’ Turns 25 | Album Anniversary
‘Bridges to Babylon’ isn't the Stones’ strongest offering, but that's not to say it's not a shimmering rose in their musical garden nevertheless.
Read moreChaka Khan’s ‘Funk This’ Turns 15 | Album Anniversary
For Khan’s eleventh studio affair, the organic grime and loose grooves of Rufus’ primordial ‘70s work meets contemporary R&B of the 2000s.
Read moreBeck’s ‘Sea Change’ Turns 20 | Album Anniversary
At times nerve raw and other times hopelessly resigned, ‘Sea Change’ is a remarkably comforting journey of endings and reflection.
Read moreCody ChesnuTT’s Debut Album ‘The Headphone Masterpiece’ Turns 20 | Album Anniversary
Roughly hewn and chaotically visceral in its charms (and abundant 36 tracks), ChesnuTT’s debut affair is a testament to the power of Black music.
Read moreNo I.D.’s ‘Accept Your Own & Be Yourself (The Black Album)’ Turns 25 | Anniversary Retrospective
No I.D.’s 1997 debut LP finds him and Dug Infinite conveying inspirational messages over expertly crafted, jazzy musical soundscapes.
Read moreEPMD's 'Back in Business' Turns 25 | Album Anniversary
No matter how things developed in the five years between 1992's 'Business Never Personal' and 1997's 'Back in Business,' the latter was a solid comeback album.
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