Often overlooked in the conversation of the 1990s’ greatest hip-hop albums, Organized Kofusion’s third & final LP deserves much more shine.
Read moreSteely Dan’s ‘Aja’ Turns 45 | Album Anniversary
Great albums make you want to come back for more. And despite its vocal detractors, ‘Aja’ is a great album.
Read moreNas’ ‘The Lost Tapes’ Turns 20 | Album Anniversary
A collection of then-unreleased songs from previous recording sessions, ‘The Lost Tapes’ thankfully doesn’t feel like a hodge-podge of filler fare.
Read moreJosh Ritter’s ‘Gathering’ Turns 5 | Album Anniversary
A clear career peak for Ritter, ‘Gathering’ is a cohesive work with a defined narrative structure, recurring themes of approaching storms, and a battery of songs as good as anything else in his catalogue.
Read morePhoebe Bridgers’ Debut Album ‘Stranger in the Alps’ Turns 5 | Album Anniversary
The sadness that runs through Bridgers’ debut album is a representation of that feeling like you’ve stepped off a cliff into a strange, mixed up and cold world.
Read moreBjörk's ‘Homogenic’ Turns 25 | Album Anniversary
Appropriate qualifiers to define the sounds of ‘Homogenic’ can only fall on the shoulders of words like exhilarating and astonishing.
Read moreShowbiz & A.G.’s Debut Album ‘Runaway Slave’ Turns 30 | Album Anniversary
Fueled by an inescapably jazzy vibe, Showbiz & A.G.’s 1992 debut LP is one of the best hip-hop albums ever recorded.
Read moreDiamond D’s Debut Album ‘Stunts, Blunts & Hip-Hop’ Turns 30 | Album Anniversary
During a period when sample-based hip-hop production was at its peak, Diamond D created one of the best produced albums ever with his debut opus.
Read moreA Monochrome Vision: The Sundays’ Third & Final Studio Album ‘Static & Silence’ Turns 25 | Album Anniversary
The album’s title, and the iconic scene it evokes, was prescient, for ‘Static & Silence’ ended up being the Sundays’ final album, of the ‘90s—and ever.
Read moreGonna Be My First Time Around: Janet Jackson’s Eponymous Debut Album Turns 40
The precocious influence of Jackson’s 1982 debut LP on the future thrust of her canon cannot―and should not―be denied.
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