Danger Mouse and CeeLo Green’s diverse musical catalogs and histories primed them perfectly for their inventive collaboration as Gnarls Barkley.
Read moreJanet Jackson’s ‘All For You’ Turns 20 | Anniversary Retrospective
‘All For You’ captures a playful, sexy Janet, ready to have fun and relish in some female empowerment. And she delivers.
Read moreRamones’ Eponymous Debut Album ‘Ramones’ Turns 45 | Anniversary Retrospective
If you were to lay out a timeline of rock & roll history, then the Ramones’ eponymous debut LP would be written in bold letters as signaling the beginning of a new era in music.
Read moreAmel Larrieux’s ‘Morning’ Turns 15 | Anniversary Retrospective
Album artwork designed by Mark Chappelle
On her third studio affair, Larrieux writes love and pain so well, both become pleasure. As with any set from her, each song encapsulates a feeling.
Read moreJamie Woon’s Debut Album ‘Mirrorwriting’ Turns 10 | Anniversary Retrospective
Across his debut LP, Woon’s voice revels in disappointment and understated heartbreak, but with enough soul to cut through the slightly icy disconnect that pervades the musical accompaniment.
Read moreEmma Bunton’s Debut Solo Album ‘A Girl Like Me’ Turns 20 | Anniversary Retrospective
Appetizingly presented in a diverse pop style, the songs on Bunton’s inaugural solo affair are universal in their appeal and showcase the mind of a mature songstress.
Read moreTemple of the Dog’s Eponymous Debut Album Turns 30 | Anniversary Retrospective
A plaintive, powerful tribute to their fallen musical brother Andrew Wood, the supergroup’s debut and only album now holds even greater weight within the context of Chris Cornell’s passing in 2017.
Read moreThe Cure’s ‘Faith’ Turns 40 | Anniversary Retrospective
Richer in texture than the preceding ‘Seventeen Seconds’ (1980), the band’s third LP signifies further sophistication, ushering them from blasé adolescent ennui to deep spiritual exploration.
Read moreChaka Khan’s ‘What Cha’ Gonna Do For Me’ Turns 40 | Anniversary Retrospective
On her third solo studio affair, Khan wasn’t trying to be grand, wanton, or transcendent, but ironically, she proved that’s the quickest way to reach all three.
Read moreStevie Wonder’s ‘Where I’m Coming From’ Turns 50 | Anniversary Retrospective
An endlessly fascinating album, ‘Where I’m Coming From’ serves as a transitional piece for both Stevie Wonder and Motown as a whole.
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