‘Dolly, Dolly, Dolly’ is not just a transitional record—it’s a strategic pivot point, and arguably one of Parton’s most revealing records within the broader tapestry of her work.

Parton has never likened herself to feminist ideals, but her music, whilst not assuming this label, is very clearly rooted in women feeling empowered whether through vulnerability or strength.

Parton’s twenty-first solo studio album yet again allowed the singer to cross over from her country roots into something more diverse, a decision that helped solidify her position as a musical pioneer.

As with most of Parton’s prolific work to date, her inaugural studio affair showcases that her power lies in her ability to be vulnerable, witty, humorous and strong—all at the same time.