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Interpol Show Signs of Struggle, Stagnaion and Glancing Brilliance with ‘Marauder’ | Album Review

October 1, 2018 Rayna Khaitan

From its celestial NYC-dwelling dreaminess to the exemplary way the band’s individual talents coalesce, Interpol’s sixth studio album demonstrates the trio are in no way lacking.

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Marissa Nadler Strikes a Cathartic Chord with Sublime, Slow-Burning ‘For My Crimes’ | Album Review

September 28, 2018 Liz Itkowsky

A critically-acclaimed artist for over ten years, Nadler’s eighth studio album ‘For My Crimes’ shines as another example of her preternatural talent and style.

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Tony Joe White’s ‘Bad Mouthin’’ Finds Strength in Its Simple, Stripped-Down Beauty | Album Review

September 28, 2018 Steven Ovadia

With songs that breathe and run free, while fully realizing their potential, ‘Bad Mouthin’’ is the flip side of the over-production trap that plagues many an artist.

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Nobody’s Girl Dazzle and Delight with Impressive Debut ‘Waterline’ | EP Review

September 27, 2018 Steven Ovadia

Vocalists BettySoo, Grace Pettis, and Rebecca Loebe formally joined voices as a trio just last year, but they sound as if they’ve been making music together for years and years.

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Tags Nobody's Girl
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Mac Ayres Gives Us ‘Something to Feel’ with Dynamic Debut and It Feels Mighty Fine | Album Review

September 25, 2018 Kenneth Hicks

On his debut long player, Ayres pulls from a rich musical history, but his work is a revamp of classic sounds rather than a cheap imitation.

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Prince’s Fascinating ‘Piano & A Microphone 1983’ Uncovers New Dimensions of His Undeniable Genius | Album Review

September 21, 2018 Patrick Corcoran

‘Piano & A Microphone 1983’ captures the late great Prince Rogers Nelson in loose and freeform mode, on the cusp of global superstardom with ‘Purple Rain.’

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Bananarama Recapture Their Musical Magic with ‘Live at the London Eventim Hammersmith Apollo’ | Album Review

September 21, 2018 Quentin Harrison

Available in a variety of formats, Bananarama’s ‘Live at the London Eventim Hammersmith Apollo’ finds the trio in fine and fighting form throughout its run time.

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Seinabo Sey Stirs the Senses and Stokes the Soul on Sublime ‘I’m A Dream’ | Album Review

September 19, 2018 Patrick Corcoran

Inspired by Beyoncé’s ‘Lemonade’ and a recent trip to West Africa to reconnect with her family heritage, Sey’s sophomore album is a powerful statement by a unique vocalist.

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Mitski Crafts a Stirring Soliloquy on Heartache and Loneliness with ‘Be the Cowboy’ | Album Review

September 8, 2018 Liz Itkowsky

More comfortable with her anxieties, and articulating them beautifully, Mitski has taken a pop turn on her fantastic fifth studio album.

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Kandace Springs Casts a Radiant Glow on Soul-Soothing, Stylistically Fluid ‘Indigo’ | Album Review

September 7, 2018 Patrick Corcoran

The beauty of the album lies in the slight shifts in style from song to song, which allow Springs to retain control while still broadening her stylistic horizons.

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Eminem Nearly Back at His Best with Blistering Surprise Album ‘Kamikaze’ | Album Review

September 6, 2018 Kate Seldman

On his latest LP, the middle-aged Mr. Mathers laments his critics and contemporary rappers alike, with his signature flow that still blows away the vast majority of emcees working today.

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Bird Streets’ Debut Album Is a Contemporary Masterpiece That Conjures Indie Rock’s Glory Days | Album Review

August 25, 2018 Steven Ovadia

A modern album that captures the classic 1980s/1990s indie rock sound, songwriter John Brodeur and guitarist Jason Falkner’s collaboration is a revelatory and refreshing listen.

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Santigold Eschews Mainstream Pop Appeal for Fun & Informal ‘I Don’t Want: The Gold Fire Sessions’ | Album Review

August 24, 2018 Liz Itkowsky

Pulling influences from Afro-Caribbean rhythms, Santigold doesn’t stray too far from her typical sound, but pays a more direct tribute to classic reggae style this time around.

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The National’s ‘Boxer (Live In Brussels)’ Is a Showstopping Trip Down Memory Lane | Album Review

August 24, 2018 Rayna Khaitan

‘Boxer Live In Brussels’ was originally released in April of this year as an exclusive Record Store Day vinyl offering, with a wider release coming to fruition last month.

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A Reinvigorated Middle Class Rut Capture Balance & Beauty on Auspicious ‘Gutters’ | Album Review

August 19, 2018 Steven Ovadia

Boasting a big sound that makes them sound like a full band, Middle Class Rut is a two-piece band made up of singer/guitarist Zack Lopez and singer/drummer Sean Stockham.

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Jake Shears’ Solo Dancing Shoes Fit Him Remarkably Well on Refreshing, Eponymous Debut | Album Review

August 18, 2018 Liz Itkowsky

While the sound of Scissor Sisters is only as great as the sum of the group’s parts, Shears flies solo in fine form on his impressive debut album.

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Tags Jake Shears, Scissor Sisters
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DJ Muggs Recruits Top-Caliber Emcees for Distinctive ‘Dia Del Asesinato’ | Album Review

August 14, 2018 Jesse Ducker

Muggs might not be trailblazing as much as he used to, but in reinterpreting a distinctive sound he helped pioneer throughout ‘Dia Del Asesinato,’ he creates a very good album.

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Tags DJ Muggs, Soul Assassins
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Boz Scaggs’ ‘Out of the Blues’ Concludes His American Roots Music Trilogy on a High Note | Album Review

August 14, 2018 Libby Cudmore

Scaggs’ nineteenth studio album proves once again that he is a man who knows his stuff and can pay homage, rather than whitewashing all the soul out of others’ songs.

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Underworld & Iggy Pop Merge Their Musical Mojo for Concise & Compelling ‘Teatime Dub Encounters’ | EP Review

August 10, 2018 Liz Itkowsky

On the four-track affair, Iggy Pop plays well with Underworld, understanding the subtlety of their music, while delivering lyrics with dry humor and a light touch.

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Tags Underworld, Iggy Pop
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Shemekia Copeland Crafts a Vital Album for Our Volatile Times with ‘America’s Child’ | Album Review

August 8, 2018 Steven Ovadia

The primary purpose of ‘America’s Child’ is to make great music, and Copeland accomplishes this while still making larger points about the world in which we all live.

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