• Features
  • Reviews
  • New Music
  • Interviews
  • Polls
  • About
  • Search
Menu

Albumism

Street Address
City, State, Zip
Phone Number
Celebrating our love affairs with albums past, present and future

Albumism

  • Features
  • Reviews
  • New Music
  • Interviews
  • Polls
  • About
  • Search

Albumism Recommends: Oh No's 'Ohnomite' (2012)

November 22, 2022 Jesse Ducker

Editor’s Note: Our new, recurring “Albumism Recommends” series aims to shine a bright light on our favorite albums of the past, with an emphasis on the records that arguably never achieved the widespread or sustained attention they rightfully deserve. As you’ll see below, unlike our longer-form feature articles, we’ve intentionally kept the accompanying commentary to a minimum, so as to allow the great music to speak for itself.

We hope that you enjoy discovering (or rediscovering) these musical treasures and if you like what you hear, we encourage you to spread the good word far and wide so that others can experience these under-the-radar classics as well.

ARTIST: Oh No
TITLE: Ohnomite
RELEASED: June 5, 2012
LABEL: Brick Records

Michael “Oh No” Jackson may be the younger brother of Otis “Madlib” Jackson, Jr., but he’s certainly forged his own identity. He possesses seemingly boundless creativity and the knack for creating pure aural chaos with his productions. Arguably his best project to do is Ohnomite (2012), an ambitious endeavor featuring 25 different collaborators. The hook is that he was given license to draw liberally from the catalogue of one Rudy Ray Moore a.k.a. Dolomite, both his raunchy and funk-filled albums and his bizarre Blaxploitation films.

On Ohnomite, Oh No enlists many familiar friends with connections to his Oxnard crew, creating suitably raucous concoctions. However, some of the best tracks on the album come from unexpected collaborators. “Runnin’ the Show” is a pulsing adventure with Erick Sermon, while “Whoop Ass” with Sticky Fingaz sounds like it was lifted from an unreleased Dolomite kung-fu vehicle. The jazzy “Dues N Don’ts,” featuring Phife Dawg and José James, is a chilled-out change of pace, featuring ethereal trumpet and guitar, and an amped verse from the 5-Foot Assassin (R.I.P.)

Soon after, Oh No would release Dr. No's Kali Tornado Funk, an instrumental and expanded companion piece to Ohnomite. But the vocal version is great on its own and the perfect soundtrack for beating down any no-business-born, rat-soup eating, insecure motherfucka that gets in your way.

As an Amazon affiliate partner, Albumism earns commissions from qualifying purchases.

LISTEN:

In ALBUMISM RECOMMENDS Tags Oh No
← Albumism Recommends: Lois' Debut Album 'Butterfly Kiss' (1992)Albumism Recommends: Myrkur's 'Mareridt' (2017) →

Featured
Ginuwine’s Debut Album ‘Ginuwine… The Bachelor’ Turns 30 | Album Anniversary
Ginuwine’s Debut Album ‘Ginuwine… The Bachelor’ Turns 30 | Album Anniversary

Ginuwine’s breakthrough debut was a remarkable achievement during a very competitive year for R&B albums, amidst notable releases by the likes of Aaliyah, Blackstreet, and Maxwell, among others.

Read more →
Freestyle Fellowship’s Debut Album ‘To Whom It May Concern…’ Turns 35 | Album Anniversary
Freestyle Fellowship’s Debut Album ‘To Whom It May Concern…’ Turns 35 | Album Anniversary

Not just an LA underground classic, but a foundational record for a whole generation of emcees, ‘To Whom It May Concern’ continues to influence and inspire the contemporary hip-hop landscape.

Read more →
Depeche Mode’s Debut Album ‘Speak & Spell’ Turns 45 | Album Anniversary
Depeche Mode’s Debut Album ‘Speak & Spell’ Turns 45 | Album Anniversary

While their 1981 debut did not augur the stadium tours or multi-platinum LPs to come, it nevertheless offers little pieces of the band they would become.

Read more →

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →

©2026 Albumism | All Rights Reserved. Use of any portion of this site constitutes acceptance of our Terms & Conditions and Privacy Policy. The content on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Albumism.